Compressors Vs Limiters: What's The Differences?

Compressors Vs Limiters: What's The Differences?

Tutorial By:  Realistic Production

The biggest difference comes down to the threshold.

On a compressor, the threshold determines the level at which the gain reduction will begin. When you set the threshold, any time your audio signal passes that threshold, the compressor will react & reduce the gain of the signal.

A limiter won't let the sound get any louder than the set threshold. This is how you can turn up the overall gain & avoid clipping & distorting. If you set the threshold to -1.00dB, the limiter will not allow the sound to go past -1.00dB no matter what you put into the limiter. This can cause things to be squashed, so be careful pumping too much into a limiter.

The ratio also has some differences between the two as well. A compressor has a low ratio that turns down SOME of the volumes when it goes above the threshold. A limiter has a huge ratio that turns down ALL of the volumes that goes above the threshold.

When to use the two: Compressor - is great to use when you're trying to control the dynamics of a track. A limiter would be too powerful for this situation & would squash the sound. Compressors can also be used to tame transients or "glue" the sound of tracks summed together.

Limiter - is great to use on a mix bus or master channel when you're trying to turn up the overall gain of a track without distorting it. A compressor would not be ideal for this because the makeup gain could cause clipping & distortion to the overall track.

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SoundOracle (Chief Sound Designer for Timbaland, whose sounds have been heard in over 20 Grammy award-winning songs by artists like Drake, Jay Z, Beyoncé, Justin Timberlake, Chris Brown, and more)

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SoundOracle (Chief Sound Designer for Timbaland, whose sounds have been heard in over 20 Grammy award-winning songs by artists like Drake, Jay Z, Beyoncé, Justin Timberlake, Chris Brown, and more)

Realistic Production - Engineer

Realistic is a Producer/Engineer located in Atlanta, GA specializing in Hip-Hop, R&B & Pop music. Realistic has been involved in the music industry for over 15 years. He has worked on projects for Talib Kweli, Just Blaze, Musiq Soulchild, Pharoahe Monch, NBA 2k, Skyzoo, BJ The Chicago Kid, Madlib, Ayo-N-Keyz, Billboard Hitmakers, Atmosphere, Brother Ali, Rhymesayers, Hamburger Helper, & LoveOfPharaoh.

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Realistic Productions: Certified mixing engineer and producer located in The Twin Cities.

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